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Scorcher! (July/August 2017)

The torrid days of summer are the perfect time to kick back and read, and our July/August issue is full of hot new fiction. From flaring tempers to the spiciest of chicken wings to a world baked by global warming, the characters in this issue brave it all.

A food-truck owner with the hottest wings in town and his off-duty security guard–customer deal with some unwanted heat in Robert Mangeot’s “Let It Burn.” Jay Carey returns with another distopian procedural set in a future Florida ravaged by global warming in “We Frequent the Moon Bar.” The heat of an office romance drives characters to make poor decisions in Cathryn Grant’s “Serious Damage.” And in our cover story, some minor league ball players are filling their off-hours by making an amateur movie when they learn of the drowning of a teammate in Chris Muessig’s “The Making of Velveteen Dream.”

Meanwhile, a rural gathering of southeast Asian drug warlords proves difficult navigating for a city-bred teen in R. T. Lawton’s “Merit Making.” A pit stop at a lonely diner puts small-town Mississippi sheriff Ray Douglas and mystery writer Jenny Parker conveniently close to the scene of a murder in John M. Floyd’s whodunit “Trail’s End.” O’Neil De Noux returns in noirish form with a new story about the 1940s New Orleans PI Lucien Kaye, “The Magnolia Murders.” Joseph D’Agnese offers an unusual Sherlockian tale, with Mycroft and Mrs. Hudson facing off in “A Respectable Lady.” And a former fur trapper struggles with settled life—and a murder—in Eric Rutter’s “Blood Debt.”

We warmly welcome two authors new to our pages this issue. Bev Vincent offers a tale of an unlikely superhero in “Pain-Man.” And Susan Breen introduces novice PI Maggie Dove as she tackles her first big case in “The Countess of Warsaw.”

Finally, Steve Liskow scores his second Black Orchid Novella Award with “Look What They’ve Done to My Song, Ma,” which once again visits the Detroit music scene for a new mystery involving the members of that hot new band, Promise.

So find a convenient pool, a cool beverage, and some shades because this issue’s stories are hot, hot, hot.

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On the 10th Anniversary of the Black Orchid Novella Award

Linda Landrigan, Steve Liskow, Jane K. Cleland, December 3, 2016

Linda Landrigan, Steve Liskow, Jane K. Cleland, December 3, 2016

Earlier this month, as is usual for the evening of the first Saturday in December (chosen to coincide with Rex Stout’s December 1st birthday), we attended The Wolfe Pack’s Black Orchid Banquet. Among the night’s features are toasts (one of which associate editor Jackie Sherbow gave) and the presentation of the Black Orchid Novella Award, given by our editor Linda Landrigan in conjunction with BONA awards chair Jane K. Cleland. This year’s winner is a BONA first, as Steve Liskow garnered his second win—this time for his story “Look What They’ve Done to My Song, Ma,” which will appear in the July/August 2017 issue. The occasion was also special because it marks the award’s tenth year. We asked the BONA winners from years past to share their memories, and we’re sharing some of them with you here.

I loved spending time in New York City for the banquet. I was born in Manhattan and my parents moved to Long Island when I was a child. My grandfather was a NYC cab driver. . . . It was especially fun . . . during the holiday season, so being in the city for the banquet at that time was especially meaningful for me. I got to visit old haunts and even met up with Santa Claus in Macy’s.

The banquet itself was wonderful. Jane Cleland is one of the most fun people I’ve ever met. . . . It was an honor and pleasure to meet Linda Landrigan. She was so welcoming and so great to talk to that it made me a whole lot less nervous about delivering my acceptance speech. . . . I had such a good time and have such warm memories of the banquet. It was a magical experience set in a city I love during a time of year I love and I’ll be forever grateful.—Susan Thibadeau, 2013 winner

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The banquet was a few months after Hurricane Sandy, which led to real difficulty getting in and a smaller-than-average, though very enthusiastic crowd. . . .

In the few months after receiving the BONA I sold stories to two very hard-to-crack markets. Was it a coincidence or did they notice the award? I have no evidence, but I have an opinion.

It was a great honor, especially since AHMM is my favorite magazine, and I have been a fan of Stout and Wolfe since sixth grade—Robert Lopresti, 2012 winner. For more BONA reminiscences, visit Rob Lopresti’s related blog I’m Dreaming of a Black Orchid, Picking More Black Orchids, and Addressing the Red Envelope

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The old saw that being a writer is the most solitary of occupations is completely wrong. Honestly, I can’t think of a more social activity, because a writer is nobody without readers, and readers form a community, as this gathering tonight so clearly demonstrates. . . . . Of course [the armchair detective in my novella] Miss Enola is not alone. She has Erica to keep her company, even if she spends most of her time in her own head. Mostly, though, she will never be alone as long as there are people who love to read detective stories. I hope that when “Inner Fire” is published in Alfred Hitchcock’s Mystery Magazine this coming summer, you will all have the opportunity to read it. I wrote it for you, and I am deeply and humbly grateful for the honor you have done me in granting me this award. I tell you from the bottom of my heart that it is one of the brightest highlights of my career as an author of crime fiction.—From the acceptance speech of James Lincoln Warren, 2011 winner

Emily Hockaday, Linda Landrigan, James Lincoln Warren, Jackie Sherbow, 2011

Emily Hockaday, Linda Landrigan, James Lincoln Warren, Jackie Sherbow, 2011

Linda Landrigan, James Lincoln Warren, 2011

Linda Landrigan, James Lincoln Warren, 2011

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I recall:

  • My wife Helen and I making the 4 + hour drive to NYC from Vermont and scurrying across town in time for the banquet’s 6:30 cocktail hour.
  • Realizing early on that Wow, these Wolfe Pack folks are really into their Rex Stout.
  • Taking part in a table-versus-table competition of songwriting with a Nero Wolfe theme. Our table accepted my suggestion of using the tune from the 1950’s Davy Crockett show. As I recall, we acquitted ourselves admirably.
  • Taking the podium to accept my award. For my acceptance speech, I began, I’ve recently committed the complete cannon of Nero Wolfe to memory and will now recite it . . . I then began rattling off the opening passage of the first Wolfe novel, Fer-de-Lance, (which I had memorized for the occasion). After three or four lines, I stopped and said, You know . . . I realize now, you probably all have memorized his complete works yourselves, so I’m just being redundant. I’ll move on . . . Laughter ensued.
  • Laughter not ensuing when I tried to make some jokes about Stout’s early efforts to name his detective. I suggested that prior to becoming Nero Wolfe, the character was originally called Caligula Bobcat. That joke died in the air, swiftly and soundly.
  • After the banquet, leaving at the same time as Linda. She graciously led Helen and I down the city streets and gave us a tour of the various shop window Christmas displays. A splendid end to a splendid night!—Michael Nethercott, 2008 winner
Linda Landrigan, Michael Nethercott, 2008

Linda Landrigan, Michael Nethercott, 2008

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When I accepted the award, I mentioned how I was mostly a science fiction author. After the banquet was ending, a long-time mystery writer (who got his start in the science fiction pulp magazines in the 1950s) shook my hand, said, “Get the hell out of science fiction!” and walked away. I have taken his advice to heart and haven’t written a science fiction story since then!—John Betancourt, 2007 winner

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Press Release from The Wolfe Pack— 2016 Nero Award and Black Orchid Novella Award Winners

NEWS RELEASE
FOR IMMEDIATE RELEASE
December 4, 2016
The Wolfe Pack
New York, NY

2016 NERO AWARD & BLACK ORCHID NOVELLA AWARD WINNERS

The Nero Award is presented each year to an author for the best American Mystery written in the tradition of Rex Stout’s Nero Wolfe stories. It is presented at the Black Orchid Banquet, traditionally held on the first Saturday in December in New York City. The “Nero” is considered one of the premier awards granted to authors of crime fiction. This year, the winner is David C. Taylor’s Night Life, (A Forge Book Published by Tom Doherty Associates, LLC).

The Black Orchid Novella Award is presented jointly by The Wolfe Pack and Alfred Hitchcock Mystery Magazine to celebrate the novella format popularized by Rex Stout. This year’s winner is… for the second time…  Steve Liskow.  The novella is titled “Look What They’ve Done to My Song, Ma.” (Steve also won in 2009.)

About the Wolfe Pack

The Wolfe Pack, founded in 1977, is a forum to discuss, explore, and enjoy the 72 Nero Wolfe books and novellas written by Rex Stout. The organization promotes fellowship and extends friendship to those who enjoy these great literary works of mystery through a series of events, book discussions, and a journal devoted to the study of the genius detective, Nero Wolfe, and his intrepid assistant, Archie Goodwin. The organization has more than 500 members worldwide. For further information, please see http://www.nerowolfe.org.

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A Legacy of Crime (July/August 2016)

Over the past sixty years, it has regularly been our pleasure to welcome new voices, writers either new to our pages or making their publishing debut. This double issue continues that legacy. Congratulations, then, to two authors appearing in print for the first time: Jason Half with “The Widow Cleans House,” and Mark Thielman with his Black Orchid Novella Award–winning “A Meter of Murder.” And welcome to three authors new to AHMM: Alan Orloff, author of “The Last Loose End;” Andrea Smith, who introduces to our readers her intrepid beauty salon proprietor Vera Ames in “Beauty Shop of Horror;” and James Nolan, who brings us a tale set in Mexico in “Shortcut to Gringo Hill.”

As it happens, the notion of legacy plays an important role in several of this issue’s tales. Our cover story, Eve Fisher’s “Great Expectations,” examines a family’s handling of a small inheritance. Attorney David Crockett, in Evan Lewis’s “Mr. Crockett and the Indians,” carries with him a rather uncomfortable legacy—the crotchety voice of his ancestor Davy. Kevin Egan’s “The Heist,” set in the New York State Supreme Court building in Manhattan, involves the cultural legacy of a Hungarian émigré. And a legacy of Mob violence drives the latest installment of Janice Law’s series featuring Madame Selina and her young helper Nip.

Regular appearances by favorite writers and characters are another aspect of the AHMM legacy, and this issue features other strong installments in familiar series. John H. Dirckx, a recidivist for nearly forty years, teams Lieutenant Cyrus Auburn and Detective Sergeant Fritz Dollinger in “Can’t Undo.” R. T. Lawton, whose four different series display an impressive range of tone, setting, and eras, this time brings us “The Great Aul,” a new tale of the Armenian and his young Nogai helper. And Terence Faherty, who first appeared in our pages in 2007, offers “Margo and the Milk Trap,” his latest entry in a WWII–era series featuring radio producer Margo Banning.

Great crime fiction is a legacy our readers need not feud over.

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The Ninth Annual Black Orchid Novella Award Given

Congratulations to Mark Thielman, whose novella “A Meter of Murder” won the 9th Annual Black Orchid Novella Award! The author was celebrated at the December 5th Black Orchid Banquet as part of The Wolfe Pack’s weekend of festivities. Mr. Thielman, who currently hails from Texas, is a former prosecutor. You can look forward to reading the novella—his first published piece of fiction!—in the July/August 2016 issue of AHMM.

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