As part of a full day of programming, editor Linda Landrigan will be participating in a discussion about final tips for writers before hitting “Submit.” For more information please visit MWA-NY or register here.
Our May/June issue is heavy on the humor, but nicely balanced with some darker tales, and topped off by several voices new to our pages. A perfect medley of crime.
On the lighter side is Jeff Cohen’s nervous dad-to-be/proprietor of a comedy film theater, who has serious doubts about the hospital staff in “It’s a Mad, Mad, Mad, Mad Girl!”; and Neil Schofield’s ex-Detective-Inspector Harry Tattersby and his side-kick, small-time burglar Eggy, who plumb their underworld connections to break up a gang of under-aged thieves in “Tattersby and the Silence of the Lumbs”; and Catherine Dilts’ scheming Granny cleans up in Turnip Junction in “Unrepentant Sinner.” A tired comedian in a Borscht-belt resort frames John C. Boland’s story “The Kubelsky Block,” featuring perceptive widow Tamar Gillespie, and even draws a few laughs.
Messing with the toughest man in Halifax, Skig Skorzeny, is a dangerous feat, especially when his mechanic Creepy Culbertson has his back in Jas. R. Petrin’s “Money Maker.” Two commuters on the graveyard shift bond over their fondness for mystery novels in Christopher Latragna’s story “The Loneliest Night of the Week.” Detective Fritz Dollinger and Detective Lieutenant Cyrus Auburn team up to puzzle what happened to cause the death of an unidentified man found with a cryptic message in his pocket.
We welcome three newcomers this issue. SJI Holliday’s Scottish Sergeant Davie Gray, who spends his Brighton vacation investigating a murder in “Home from Home,” is featured in her novels Black Wood, Willow Walk, and Damselfly. Retired Judge Debra H. Goldstein—author of Maze in Blue and Should Have Played Poker— brings us “The Night They Burned Ms. Dixie’s Place,” which takes place in Birmingham during the Civil Rights era. Los Angeles native Paul D. Marks has had a long career in film directing and writing. He is also the author of White Heat (2012) and Vortex (2015) as well as countless short stories. His story “Twelve Angry Days” recalls the old Henry Fonda film, Twelve Angry Men, but with a very different outcome.
In addition, Jason Half introduces one of his favorite mystery classics, “Daisy Bell” by Gladys Mitchell. All in all, twelve fiendishly good stories to keep you awake all night.
Jason Half, who introduces May/June’s Mystery Classic “Daisy Bell” by Gladys Mitchell, writes about the story and much more on his Gladys Mitchell Tribute Site and blog, The Stone House. Take a look around!
Check out a fun new feature from our sister publications at Penny/Dell puzzles!
Crime is character building, at least in crime fiction, because it is characters, their dark psychologies and questionable motivations, that drive compelling stories—as the tales in this issue amply demonstrate.
What compels a model prisoner, in Tony Richards’s “Magpie Man,” to burst out of jail just before he is to be lawfully released? What motivates a desperate woman, in Dale Berry’s graphic story “Dead Air,” to strike up a conversation with a radio DJ? Why does a detective, in Wayne J. Gardiner’s “Bygones,” return home for the funeral of his high-school adversary?
Interpersonal entanglements complicate Charles John Harper’s police procedural “The Echoes.” A man seeking invisibility is driven from the dangerous shadows in Bob Tippee’s “Underground Above Ground.” Susan Oleksiw’s “How Do You Know What You Want” is a poignant story of a teen in foster care and the woman who tries to connect with her, and Martin Limón’s P.I. Il Yong pursues a case that takes him to the remote reaches of the Himalayas, where survival may depend on the uncertain kindness of othes, in “hominid.”
Social institutions and conventions are questioned in Alan E. Foulds’ “Razor’s Edge” when a reporter revisits a long-ago cold case, and in Mitch Alderman’s “Bleak Future” when P.I. Bubba Simms looks into extortion among central Florida’s genteel society. An old injustice gets a fresh look in “Rough-Hewn Retribution,” Nancy Pauline Simpson’s historical set in the early twentieth century South. A homicide detective and suspect match wits in the interview room in Chris Knopf’s “A Little Cariñoso.” And a land dispute is complicated—and deadly—in Gilbert M. Stack’s British historical whodunit “Greed.”
Watch out, these complicated characters will steal your attention—and perhaps your sympathy.
P.I.’s and fixers, burglars and soldiers all join together in our HOLIDAY DOUBLE ISSUE to send you the best wishes of the season! We visit winter locales past and present, chilly and tropical. Michael Nethercott takes readers back to the Fifties with a new tale featuring his Connecticut sleuths Lee Plunket and Mr. O’Nelligan, while S. J. Rozan sets her new series in Manhattan’s Chinatown with matriarch Yong-Yun. Brendan DuBois revisits a facet of rural New England life—kvetching at the town dump. Jay Carey’s Police Chief Eureka Kilburn deals with crime in a time of post global warming Sarasota, and Terence Faherty has an amusing take on Philo Vance that is set in Hawaii. In addition with we have a Mystery Classic treat: a suspenseful puzzler by Hugh Pentecost featuring hotel manager Pierre Chambrun—and you won’t want to miss Marvin Lachman’s insightful introduction for modern-day readers. Happy holidays from AHMM!
Editing a magazine is all about novelty—the next issue, the new stories, the new authors. One of the nice things about a significant anniversary is the occasion to pause and reflect. As we notch our sixtieth year, we thought it would be fun to invite some other voices that have long been associated with the magazine, contributors and a few staffers, to reflect on AHMM in this month’s special feature (The Case File).
But it’s the stories and authors that are the magazine’s raison d’être, and this celebratory issue is also a fine representation of AHMM’s recent decades. We are delighted to welcome Lawrence Block back to our pages with “Whatever It Takes”; Mr. Block first published a story in AHMM in 1963. And we are also delighted to welcome Bruce Arthurs, who makes his AHMM debut this month with “Beks and the Second Note.” And in between those extremes, we have new stories from other writers who have long associations with the magazine: John C. Boland (first AHMM story in 1976); Kristine Kathryn Rusch (1989); David Edgerley Gates (1991); Kathy Lynn Emerson (2001); and Stephen Ross (2010).
I wish I had the room to list the hundreds of authors who have graced AHMM’s pages with stories that have delighted and horrified and intrigued our readers for 60 years. We are grateful to them all.