Category Archives: Uncategorized

“Up in the Air”—A Cautionary Tale by Amanda Witt

Amanda Witt is the author of The Red Series of dystopian novels. Her stories can be found in the Mystery Writers of American anthologies Odd Partners (April 2019), Life Is Short and Then You Die (September 2019), and A Hot and Sultry Night for Crime (by Ana Rainwater). Here she talks about her AHMM debut, “Up in the Air” from the current March/April 2019 issue.

Funny thing about this story: I got scolded.

“Up in the Air” began as many short stories do. I saw a call for submissions, wrote something that fit the criteria, and sent it off. In return I heard nothing. As all writers know, this happens.

Then I got the following email [identifying information has been removed]:

The deadline was January 31st at 11:59 p.m. The judges have already finished reading and the final decisions are being made in the next 2-3 weeks.

Sorry, but you’re just too late to be considered. You would have been too late on February 1st, let alone March 8th.

Ouch.

But I’m one of those oldest-child, authority-respecting types. Any latent rebellion comes out in alter-ego characters, and never, ever in the real world. I check the details. I follow instructions. I wear my seatbelt, pay bills on time, and clean up after my dog on walks in the park. So hadn’t I sent the story in well before the deadline?

I checked, and indeed I had. And—like a good detective—I found proof.

Loath to argue, but wishing to retain a reputation for professionalism in even such a minor matter as this, I sent a brief reply:

I sent this in on January 27 (as you can see in the email beneath your own).

There was no disputing it, thanks to the “include the original email in your reply” function.

A flurry of explanations, excuses, blame, and apologies (of a sort) followed:

I don’t know what to tell you. It just arrived today. We posted on the website the day after we closed that all submissions had been acknowledged, and if you didn’t receive an acknowledgment, to contact us.

I have NO idea how this mail snafu happened. I received a lot of entries, and this one literally just popped up this morning. Totally bizarre.

After a bit of cordial back-and-forth, we parted ways amicably, and I sent “Up in the Air” somewhere else—namely to AHMM, whose editors have been (and surely always will be!) unfailingly gracious.

So “Up in the Air,” a cautionary tale about marriage (or about cell phones, police officers, small children, or prescription drugs—take your pick!) brings with it a couple of cautions for writers of stories and writers of emails.

Writers of stories: Check back on the submission website after the deadline passes. And, whether a statement about acknowledgment is posted or not, if you submit a story and you don’t get a “story received” message, consider pinging the editor. “Lost in cyberspace” actually does happen.

Writers of emails: Even if someone clearly appears to be in the wrong, be kind. The world will be a better place for it. And besides, life can be confusing. You might turn out to be the one who is mistaken—for real-life stories, like fictional ones, have a habit of taking unexpected twists.

Advertisements

Leave a comment

Filed under Uncategorized

Happy New Year from AHMM!

As 2018 draws to a close, we reflect on a year of mystery and mayhem and offer our most heartfelt thanks to our readers, authors, and friends. Here’s to 2019!

1 Comment

Filed under Uncategorized

Wrap Up a Mystery (January/February 2019)

It’s that time of the year, a season observed by many with an exchange of gifts. We hope you’ll consider this issue a neatly wrapped package of criminous cadeaux. Variety is always welcome in a bestowal of presents, and so this issue offers a range of delights from the humorous to the spooky; from the past to the present; from the poignant to the puzzling.

Among them: the seasonally-appropriate “Blue Christmas,” in which Melissa Yi’s doctor/sleuth Hope Sze is sitting down to a festive holiday dinner with coworkers when two people suddenly become deathly ill. “The Case of the Truculent Avocado” by Mark Thielman, in which a P.I. supplements his sporadic income with a part-time job dressing up as a potato. Shelly Dickson Carr’s clever tale “The Beacon Hill Suicide,” showcasing historic Boston. What to do about a slobbering dog is the question for a “cleaner” in Zandra Renwick’s “Dead Man’s Dog.” And “A Six-Pipe Problem” by proceduralist master John H. Dirckx.

Several tales pack a powerful emotional punch. A grieving widower in our cover story, Pamela Blackwood’s “Justice,” hears voices and barking late at night, only later learning the significance of those noises. A new tenant in a Queens apartment house unlocks troubling memories for a lonely neighbor in Devon Shepherd’s “The Woman in Apartment 615.” Another newcomer, in “The Man Across the Hall” by Janice Law, has a destabilizing effect on a young married couple in Miami. And Chicago P.I. Kubiak steps into a family drama when an old colleague from the police force asks him to follow his wife in Steve Lindley’s “A Matter of Trust and Surveillance.”

The uncanny and inexplicable also add zest to our holiday package. A pre-Sherlock Dr. J. H. Watson recounts an episode from his time in Afghanistan, revealing what really happened at the Battle of Kandahar in James Tipton’s “Shiva’s Eye.” And our mystery classic features that master of the ghost story, E. F. Benson, with “The Confession of Charles Linkworth.”

And so, best wishes for the season. Whether you’ve been naughty or nice, maybe you’ll find a little murder tucked into your stocking for your guilty pleasure.

Leave a comment

Filed under Uncategorized

“Filling In the Landscape” by Robert Lopresti

Robert Lopresti is a 2018 Derringer Award winner. His collection Shanks On Crime was recently republished in Japan. His nonfiction book When Women Didn’t Count was recently presented with the Margaret T. Lane/Virginia F. Saunders Memorial Research Award. Here he talks about the fictional setting for several of his tales, including “A Bad Day for Algebra Tests” from the current issue of AHMM.

I recently realized I have been working as a sort of regional planner for a piece of nonexistent geography called Brune County.
The first story I wrote about the place was called “A Bad Day for Pink and Yellow Shirts” (AHMMMay 2004). It concerned a car accident and the only landscape described was a crossroads and a hill. Not much of a world yet.
The second story, “A Bad Day for Bargain Hunters,” (AHMM, May 2014) showed us at least one house, one wealthy enough to merit an estate sale when the owner died.
And completing the hat trick is “A Bad Day for Algebra Tests,” appearing now in the November/December 2018 issue of Alfred Hitchcock’s Mystery Magazine. This time I take readers on a much more extensive tour, showing them an unnamed town and some hilly farm country that borders the estate of a software billionaire. Each story, of course, is populated with the sort of people I think belong in those locations.
When I wrote the first tale about the place I had no idea that more would follow so I have been cobbling together Brune County a scene at a time. Not the most efficient form of world-making, I admit.
But this is a challenge every writer of fiction faces: Do I write about real places, or make them up?
There are advantages to both approaches, of course. Write about Times Square in New York City and you automatically have an audience of millions of people who know what you are talking about without a single word of description. But if you get a detail wrong those readers will let you hear about it—if they don’t stop reading in disgust. Not long ago I read a novel by a favorite author and was startled when the main character visited British Columbia and drove from Vancouver to Victoria. That’s a good trick, unless he had a floating car.
Of course, you can make up a place entirely, which can be a lot of work. Is it urban, rural, somewhere in between? Is it New England, the deep south, somewhere midwestern? And then there is the problem of consistency. If you are lucky enough to write many books that attract many readers you may need to reread them all before you write the next one, or your readers will complain about gaffes in your fictional geography, just as if you screwed up the location of Times Square.
A lot of writers choose a compromise: take a real place and give it a new name so they can change details to suit. The master of this was Ed McBain who wrote dozens of novels about the 87th Precinct set in a nameless city which resembled, but was not, New York. The key to following his detailed geography is to turn your map 90 degrees to the right. Harlem is at the north end of Manhattan but Diamondback is at the east end of Isola.
My friend Jo Dereske wrote a dozen wonderful mystery novels about a librarian named Miss Zukas. The books take place in Bellhaven, Washington, which doesn’t exist. It bears a striking resemblance to Bellingham, which does. Jo says she did this so she could move a ferry and eliminate a shopping mall she disliked. She has also had many people tell her they used to live in the same apartment house as Miss Zukas, even though in the real world that building doesn’t exist.
My novel Greenfellas is set in a very real New Jersey, the state where I grew up. I wanted to set one scene at Surprise Lake, but it had been so many years since I had been there that I didn’t trust my memory and, just to be on the safe side, gave it a phony name. One reader asked “Why did you rename Surprise Lake? You described it perfectly. “ Sometimes you can’t win for losing.
I am happy to say I have an idea for another story about Brune County. I can’t wait to see more of the place.

Leave a comment

Filed under Uncategorized

A Weekend at Crime Bake (by AHMM’s Editor Linda Landrigan)

I’ve just returned from a lovely weekend spent among mystery writers in Woburn, MA, at the New England Crime Bake convention. Sponsored by the New England chapters of Sisters in Crime and Mystery Writers of America, the regional convention takes place every Veterans Day weekend.

Among the convention’s highlights were the friendly presences of Walter Mosley, the keynote speaker, and Kate Flora, recipient of the Lifetime Achievement award. Gayle Lynds, Hank Phillippi Ryan, and Hallie Ephron are a few of the luminaries of the genre on hand to teach master classes and share insights on writing, research, and publicity. But it’s the congenial atmosphere that made the mystery convention special. Here, unpublished writers and established authors are equal peers, supporting one another and always striving to hone their craft.

In fact, I got to be a panelist with Kate to discus short stories. There I met up with prolific Stephen Rogers and met Lorraine Nelson, both of whom have published in multiple genres. The panel was rounded out with Kate Flora, who in addition to her fiction and non-fiction writing, co-founded and edited Level Best Books, acclaimed publisher of short story anthologies. AH author Ruth McCarty moderated.

I was also asked to help facilitate a few of the roundtables where authors could read their pitches and query letters and receive constructive feedback before approaching the agents attending the convention. What impressed me were the new ideas and projects in the works and the quality of the writing I heard at my First Page roundtable and the Flashwords finalists readings.

While there, Susan Oleksiw recorded a reading of her story “Variable Winds” from our October 2016 issue for our podcast series.

Many thanks to co-chairs Edith Maxwell and Michele Dorsey and to agent & editor coordinator Ray Daniel for inviting me to the 2018 conference, and kudos to all the volunteers who made this convention a success.

1 Comment

Filed under Uncategorized

Terror at the Crossroads Digital Launch Party Recap

Last month saw the launch of a new digital anthology from AHMM and our three sister magazines. Terror at the Crossroads: Tales of Horror, Delusion, and the Unknown, available at Amazon and Barnes and Noble (soon to come on other platforms), launched last week with a digital party on Halloween, led by editors Emily Hockaday and Jackie Sherbow and with the participation of many of the 21 authors included in the anthology. For those of you who may not be on Twitter, and/or for those of you who’d like to reminisce, we wanted to offer a recap of the event here. You can also read more about the anthology at EQMM’s Something Is Going to Happen blog on Wednesday, 11/7.

The editors dressed for the occasion. (L to R: Jackie Sherbow, Emily Hockaday)

The whole day was full of fantastic and terror-tinged content from our authors, who answered Q&As, talked about their work, and more. We found out that among the ranks are plenty of Stephen King and Edgar Allan Poe fans, as is fitting. We also heard that some of our authors don’t enjoy horror at all! Many were surprised to see their stories framed as such in the magazines and in this anthology. You can read everything over at @ErisPress, but here are some highlights.

Starting the day off right!

Screen Shot 2018-11-05 at 8.46.17 AM.png

Screen Shot 2018-11-05 at 9.09.00 AM.pngScreen Shot 2018-11-05 at 9.12.32 AM.pngScreen Shot 2018-11-05 at 9.09.38 AM.pngScreen Shot 2018-11-05 at 9.12.13 AM.pngScreen Shot 2018-11-05 at 9.12.20 AM.pngScreen Shot 2018-11-05 at 9.11.58 AM.pngScreen Shot 2018-11-05 at 9.11.31 AM.png

A few authors shared costumed photos with us as you can see in this gallery:

 

This slideshow requires JavaScript.

Four of our authors visited us for AMA (Ask Me Anything) sessions, and we had a great time. Again, you can visit @ErisPress and peruse “Tweets and responses” to read through everything, but here are some choice moments:

Josh Pachter, during his 11:30-11:50 a.m. (EST) session, was asked about how his career as a translator affects his writing process:

Screen Shot 2018-11-05 at 9.11.07 AM.png

Alec Nevala-Lee, during his 12:00-12:20 p.m. slot, was asked about his discoveries while researching for his new book Astounding:

Screen Shot 2018-11-05 at 8.44.48 AM.png

Jason Half, during the 12:40-1:00 p.m. frame, talked about “guilty pleasures”:

Screen Shot 2018-11-05 at 8.43.40 AM.png

And Tara Laskowski, from 1:30-1:50 p.m., answered a question about the differences between horror and terror:

Screen Shot 2018-11-05 at 8.41.46 AM.png

Some authors even contributed videos discussing or reading from their tales in the anthology, as well as other topics. You can watch those here:

Stephen Ross on “Monsieur Alice Is Absent”

Paddy Kelly on “Lonely Hearts of the Spinward Ring”

Josh Pachter reading from “Pisan Zapra” 

The editors also contributed a few ghosts of Halloweens past in the form of photographs:

 

Finally, it was time to celebrate with cake and some of the Dell and PennyDellPuzzles crew.

Screen Shot 2018-11-05 at 8.38.38 AM.png

Screen Shot 2018-11-05 at 8.38.31 AM.png

Screen Shot 2018-11-05 at 8.37.31 AM.png

L to R top row: Ché Ryback, Sheila Williams, Martin Worthington, Angela Ferguson, Irene Bruce. Bottom row: Emily Hockaday, Jackie Sherbow

We are grateful for our authors’ and readers’ enthusiastic participation and for the opportunity to bring you this anthology. We hope you enjoy it! And stay tuned here and at @ErisPress for more updates, giveaways, and fun.

2 Comments

Filed under Uncategorized

Meditations on Murder (November/December 2018)

In our third annual Case File essay, Joseph Goodrich considers the music that puts him in the mood to murder—if only on the page. Meanwhile, in our November/December issue, a dozen thoughtful short story writers offer their own engaging meditations on a range of nefarious deeds.

An oft told ghost story that no longer scare the kids still may have its uses, as Max Gersh demonstrates in “The Week Before November.” Sharon Hunt’s “The Keepers of All Sins” considers a history of death by water for the men of a wealthy family. A young couple’s canoe trip reveals the horrifying truth of their relationship in our cover story, “Leah,” by Julie Tollefson. Multiple story lines converge (literally) on a snowy day in Robert Lopresti’s “A Bad Day of Algebra Tests.” A kid escapes one bad scene only to encounter more trouble in a lonely diner in Michael Bracken’s dark tale, “Going-Away Money.” The late Albert Ashforth’s retired spy Alex Klear is once again pressed into service, this time to check on an American operative in “Death of an Oligarch.” And R. T. Lawton’s Holiday Burglars have a new scheme in “Vet’s Day.”

A flashy young mogul has a tale of losing it all—Miami style—which he tells to Elaine Viets’s P.I. pair in “Mistress of the Mickey Finn.” Mitch Alderman’s central Florida P.I. Bubba Simms brings his considerable weight to bear as he tracks down the people responsible for vandalizing a women’s health clinic in “Fear of the Secular.” Across the globe in Beijing, Martin Limón’s Korean American P.I. Il Yong lands in a Beijing jail for a crime he didn’t commit, but his ticket out comes at a heavy price in “Bite of the Dragon.” The evidence wasn’t adding up in S. L. Franklin’s “Manitoba Postmortem,” so the Carr family detectives cross the border into Canada to get the real story. Susan Thibadeau’s amateur detectives, Pittsburgh attorney Harry Whiteside and his under-employed actor/cousin Jake, find their beloved housekeeper under suspicion of murder when she inherits a bookstore, and a feisty cat.

Plus brain-teaser puzzles, book reviews, and a new Mysterious Photograph contest await inside. You can also check out our blog Trace-Evidence.net for some story-behind-the-story insights. And if you’re in the mood for further reflection, you can use our annual index in this issue as a guide to all of our authors’ criminal creations. As we bring 2018 to a close, we can all reflect on what a great year it’s been for crime fiction, and for the magazines that publish the genre’s best short stories.

Leave a comment

Filed under Uncategorized