Many of the crime stories in our March/April issue involve movement—a chase, a hunt, an escape—and each follows its own twisty journey. Dale Berry offers a graphic story of raw ambition in “The Trail;” a young pickpocket and a grave robber team up to travel a dark path in pre-revolutionary Paris in R. T. Lawton’s “The Left Hand of Leonard;” Bill Pronzini and Barry N. Malzberg give us a tale of a grieving husband and father who seeks to atone for a tragic lapse by becoming a “Night Walker”; and a young couple on the run is fatally drawn to a roadside carnival in “Fair Game” by Max Gersh.
Martin Limón’s popular 8th Army C.I.D. agents in 1970s Korea are on the trail of American G.I.’s who beat and robbed a local cabbie and took off with his young female passenger in “High Explosive.” A Denver cabbie reverses direction when he owes the wrong people in Michael Bracken’s “The Mourning Man.” A young kid gets more adventure than he bargained for in Mario Milosovic’s coming-of-age story “The Hitchhiker’s Tale.” And a routine traffic stop is anything but in Robert Lopresti’s “Nobody Gets Killed.”
Sassy Las Vegas stylist Stacey Deshay returns with a special assignment for a comeback star only to discover that her road crew has another agenda in “Knock-Offs” by Shauna Washington. A portrait photographer’s session with a beloved pet develops a negative aspect in “Off-Off-Off Broadway” by Dara Carr. A spouse-sitting assignment gets complicated for Ecuadorian P.I. Wilson Salinas in “Los Cantantes de Karaoke” by Tom Larsen.
In Michael Black’s “Walking on Water,” a P.I. takes on a client in Witness Protection. And Tim Chapman’s one-armed P.I. struggles to remain inconspicuous as he scouts for shoplifters in “The Handy Man.”
Many and varied are the paths that lead to criminal behavior. Leave it to AHMM to steer you straight.
There are few better sources of drama than the family, as many of the stories in this issue illustrate. If one is well advised to keep friends close and enemies closer, then perhaps one must keep family members closest of all.
A death in the family often provides an occasion for changes—such as for the widow in Charles Todd’s “The Trophy” who seeks solace in the countryside of southern Wales, or the woman in Jane K. Cleland’s “Night Flight to Bali,” who is suddenly freed to cash in a forged painting upon the death of her domineering mother.
Or family ties may throw up walls that are difficult for outsiders to penetrate, such as in the investigation into possible insurance fraud involving a disabled teen and his mother in John Shepphird’s “Electric Boogaloo,” or the tangled relationships revealed by the court transcript of a case of a contested will in Eve Fisher’s “Happy Families.”
But sometimes such ties can be powerful motivators—such as for the Muslim woman who hires Beijing P.I. Il yong to find the Uighur son she’d given up for adoption in Martin Limón’s “The Smuggler of Samarkand”—or sources of support and encouragement, such as Jack Tait finds in his formidable aunts as he tries to prevent a rush to judgment against a black tenant farmer in the Depression-era South in “How Lon Pruitt Was Found Murdered in an Open Field with no Footprints Around,” by Mike Culpepper.
Other stories in this issue feature a perfect storm of disasters for Deputy Hector Moody when his car breaks down in the Gallatin mountain range in David Edgerley Gates’s “Cabin Fever”; the outsized dreams of a mid-level accountant in Max Gersh’s “Self-Portrait”; a copyeditor using her wits to foil an e-mail scammer in Steve Hockensmith’s “i”; a volatile partnership between a writer and an actor in Janice Law’s “The Front Man”; an aging spy recalled to action in Michael Mallory’s “Aramis and the Worm”; Dr. John H. Watson encounters a gentleman with a strange health regimen in “The Vampire of Edinburgh” by James Tipton.
No matter the state of your relations with other relatives, our readers are valued members of the AHMM family.