Tag Archives: Loren D. Estleman

All in the Family (September/October 2018)

Old songs notwithstanding, we are not, strictly speaking, required to always hurt the ones we love—but as this issue’s stories demonstrate, things often work out that way. Ah, family!

Consider siblings. In R. T. Lawton’s “The Chinese Box,” for instance, the city-bred and educated son of a Shan Army warlord finds himself in stiff competition with his own older half-brother, while two actors who once played brothers on a hit TV show have a very different off-screen dynamic in Brendan DuBois’s “The Wildest One.” Ecuadoran P.I. Wilson Salinas, meanwhile, must retrieve his neighbor’s granddaughter—snatched by her own father in Tom Larsen’s “En Agua Caliente.” A woman working a prison kitchen is tested when the man who killed her father demands that she help him escape in Janice Law’s “Good Girl.” And a family inheritance is at stake in our Mystery Classic, “Betrayed by a Buckle” by Louisa May Alcott, introduced by Marianne Wilski Strong.

Conventioneers extraordinaire Spade and Paladin see their extended family of SF fans and writers divided by a bitter schism with criminal consequences in Kristine Kathryn Rusch’s “Unity Con.” A mob family’s brutal management of a co-op inspires two retired seniors to act in “Rats” by Tom Savage. And new to our pages this month, Matthew Wilson brings a tale of an army sergeant confronting racism among his brothers-in-arms at a training base in Germany in “The Cook Off.”

A man who once looked for unexploded WWII ordnance in Europe must confront his own past when he encounters an old lover in Mark Thielman’s atmospheric “Buried Past.” Loren D. Estleman’s Four Horseman return with a case involving a patriotic “Scrap Drive.” Feuding neighbors bring color and headaches to Detective Sergeant Fritz Dollinger’s investigation of the murder of a young musician in John H. Dirckx’s procedural “Counterpoint.”

History repeats itself in Dennis McFadden’s dual coming-of-age story, “Coolbrook Twp.” And a bad actor gets a shot at auditioning for a psychological thriller in this month’s cover story, James Lincoln Warren’s “Casting Call.”

Once again, these stories show that blood will tell.

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Reasons to Cheer: November 2015 issue

November is our Bouchercon issue. As we prepare to travel to Raleigh, North Carolina, for the conference, the AHMM staff is in a celebratory mood. For one thing, this issue introduces a brand new series from Elaine Viets: death investigator Angela Richman makes her debut in “Gotta Go.” We also celebrate the return to these pages of some reader favorites: John F. Dobbyn with “The Golden Skull”; William Burton McCormick with “Hagiophobia”; Russel D. McLean with “The Water’s Edge”; Chris Muessig with “A Boy’s Will”; Janice Law with “The Dressmaker”; and Joseph D’Agnese with “The Truth of What You’ve Become.” And in the spirit of Bouchercon, we celebrate the genre with an essay by Ken Wishnia on the shifting boundaries of Noir.

Contributing to the celebratory mood, we note the publication of books with AHMM roots. We are proud to publish Loren D. Estleman’s Four Horseman stories set in WWII–era Detroit; he has now collected them in Detroit Is Our Beat (Tyrus Books). John C. Boland has a new collection of stories featuring his “unromantic” spy Charles Marley in The Spy Who Knew Nothing (Perfect Crime Books), all but one of which first appeared here. And B. K. Stevens’s American Sign Language interpreter Jane Ciardi, who first appeared in these pages, is now featured in a new novel, Interpretation of Murder (Black Opal Books).

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