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Dark Recesses (November/December 2017)

As the days grow short and winter looms, the lengthening evenings offer ample time and reason to brood over the nature of darkness. As the stories in this issue attest, a landscape of shadows offers far too many opportunities for both deception and misperception.

One skilled navigator of the shadows is post-war Manhattan private investigator Memphis Red, who confronts shifting motivations, political alliances, and even identities in L. A. Wilson Jr.’s “Harlem Nocturne.” Meanwhile, a young woman who seeks the shadows, trying to escape the consequences of a one-time lapse in judgment, finds she can’t escape those determined to find her in S. L. Franklin’s “Damsels in Distress.” And the shadow of calamity, in the form of drought, leaves a western town vulnerable to a charismatic, and dangerous, itinerant preacher in Gilbert Stack’s “Pandora’s Hoax.”

The idea of the serial killer casts its own dreadful shadow, as the residents of Laskin, South Dakota find in Eve Fisher’s “Darkness Visible.” The neighbors in Robert S. Levinson’s “The House Across the Street” also know a little something about serial killers—and they’re willing to share. And speaking of neighbors, a suspected witch in Kilgore, Texas beguiles her hapless neighbor in William Dylan Powell’s “The Darkness and the Light.”

Photographer Anita Ray takes up the cause of an American mathematician-turned-nun who is brutally attacked but who refuses to talk to the police in Susan Oleksiw’s “A Slight Deviation from the Mean.” And Tara Laskowski gets into the head of another woman in a brutal situation in her short-short “Hostage.”

To mitigate the darkness a bit, mid-level coworkers wreak their own special brand of havoc in plain sight in Robert Lopresti’s “The Chair Thief,” while R. T. Lawton’s Holiday Burglars return in “Black Friday,” where they must face up to their competition.

Each of B. K. Stevens’s Leah Abrams mysteries take place around a different Jewish holiday, and “Death Under Construction” is set during the fall harvest festival of Sukkot.  Leah takes a temp job at a firm that makes luxury doghouses while she works on her academic tome on workplace communications, so she is receptive to the subtle clues when the firm’s manger is killed in the storeroom.

We welcome back to these pages Carol Cail, with her tale of mysterious goings-on and hidden rooms at a seniors’ community in “Ghost Busters.” And we welcome Anna Castle, whose first story for us is “For Want of a Book,” featuring a young Francis Bacon.

This issue also features the second installment of our new feature The Case Files: this time, Steve Hockensmith brings to light some cutting-edge mystery-related podcasts. We’re sure you’ll want to check them out.

So there’s no need to be afraid of the dark when you have such a substantial issue of great stories with which to while away the evenings.

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Strength of Character (March/April 2017)

Crime is character building, at least in crime fiction, because it is characters, their dark psychologies and questionable motivations, that drive compelling stories—as the tales in this issue amply demonstrate.

What compels a model prisoner, in Tony Richards’s “Magpie Man,” to burst out of jail just before he is to be lawfully released? What motivates a desperate woman, in Dale Berry’s graphic story “Dead Air,” to strike up a conversation with a radio DJ? Why does a detective, in Wayne J. Gardiner’s “Bygones,” return home for the funeral of his high-school adversary?

Interpersonal entanglements complicate Charles John Harper’s police procedural “The Echoes.” A man seeking invisibility is driven from the dangerous shadows in Bob Tippee’s “Underground Above Ground.” Susan Oleksiw’s “How Do You Know What You Want” is a poignant story of a teen in foster care and the woman who tries to connect with her, and Martin Limón’s P.I. Il Yong pursues a case that takes him to the remote reaches of the Himalayas, where survival may depend on the uncertain kindness of othes, in “hominid.”

Social institutions and conventions are questioned in Alan E. Foulds’ “Razor’s Edge” when a reporter revisits a long-ago cold case, and in Mitch Alderman’s “Bleak Future” when P.I. Bubba Simms looks into extortion among central Florida’s genteel society. An old injustice gets a fresh look in “Rough-Hewn Retribution,” Nancy Pauline Simpson’s historical set in the early twentieth century South. A homicide detective and suspect match wits in the interview room in Chris Knopf’s “A Little Cariñoso.” And a land dispute is complicated—and deadly—in Gilbert M. Stack’s British historical whodunit “Greed.”

Watch out, these complicated characters will steal your attention—and perhaps your sympathy.

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