Tag Archives: character

The Origins of Wilson Salinas and “Los Cantantes de Karaoke” by Tom Larsen

Tom Larsen’s fiction appears in Flash Fiction Magazine, Everyday Fiction, and Big Pond Rumours. One of his stories, cowritten by his grandson, appears in the benefit anthology Friends in Foreign Places. Detective Wilson Salinas is featured in his novel Getting Legal. Here the author talks about his story “Los Cantantes de Karaoke” from the current March/April 2018 issue—his first published mystery story. (Make sure to read the tale first!)

I love to read, which is why I love to write. I love to read character-driven stories, so I tend to write character-driven stories. Of course, to do that requires that I develop characters—characters that are interesting, and most of all, believable. Of all the characters that I’ve developed in twenty years of writing, my favorite is Wilson Salinas, the Ecuadorian private investigator who finds himself a murder suspect in “Los Cantantes de Karaoke”—published this month in AHMM.

My wife Debby and I retired January 1, 2014. Within six months we had sold our house and most of our belongings, and began the move to Cuenca, Ecuador. Although we had made two exploratory trips, this was the real thing. No turning back.

We arrived in Guayaquil at midnight on a hot and steamy June night. The next morning we were on our way to our new home in Cuenca, a stunningly beautiful colonial city located at 8,500 feet elevation in the Andes Mountains.

We had contracted with a driver to take us on the four-hour, 120 mile journey to Cuenca. Emilio, a diminutive fellow with a wide friendly face and an engaging manner, met us at the hotel the next morning, and off we went.

From the vast rice and sugar cane fields and banana plantations of the coastal lowlands we ascended into the lush hardwood forest of the west slope of the Andes, through the dry grasslands and jagged peaks of the summit, and on to the east side. Imagine huge valleys, with far-off mountain peaks rising through the fog like islands out of the sea, pristine lakes too high to be affected by toxic runoff, llamas grazing along the side of the road, colorfully dressed woman milking cows in pastures that rose steeply above us.

We saw all of that and more, but the most memorable part of the trip was meeting Emilio, a proud descendant of the Cañari indigenous group. Ten years earlier, Emilio had emigrated to the United States, like tens of thousands of young Ecuatorianos, when Ecuador’s economy was in freefall. When the economy began to turn around and it looked as if the current president might actually serve out two complete terms (a rarity in Ecuador in recent years) Emilio fled the frigid winters of Minneapolis for the temperate climate of his mountain home.

Emilio’s English was as impeccable as our Spanish was limited, and his knowledge of the history, geography, and politics of his country was excellent. Ecuador couldn’t have chosen a better ambassador.

I’m a mystery writer, so while Emilio pointed out interesting sights and explained the politics of his country, my mind of course, wandered. What must it have been like, I thought, to leave the security and tranquility of the only home you’ve ever known, and head to a cold and frightening megalopolis 3,500 miles north? And, what must it have been like to return years later, with all the changes that you, and your former home, have gone through in the interim? Although I didn’t realize it until a few months later, that was the day that Wilson Salinas came into being.

Now, I have to say that Emilio is nothing at all like Wilson. Emilio’s a hard-working entrepreneur, completely dedicated to his family, and while that’s great, it doesn’t make for an interesting character in a mystery. So, I made Wilson an alcoholic, a smart-ass, and essentially a failure at everything he has tried to accomplish. I sent him off to Seattle for fifteen years, and brought him home to Cuenca at the age of 35, broke, disillusioned, and no more comfortable in his childhood home than he had been in his adopted one.

While living in Portland, Oregon, I had created a character with many of the same attributes as Wilson, and at one point I had begun a short story where the P.I. is duped by an old friend into providing an alibi for him as the friend murders his wife and his brother, whom he suspects of having an affair.

The story went nowhere, but a half dozen years later, as I sat at my desk in Cuenca watching the sun come up over the mountains, the idea came back to me, and Wilson fit seamlessly into the role of the hapless private investigator. I took it a step further and had his old friend frame Wilson for the murders, and that was the origin of “Los Cantantes de Karaoke.”

Fun Fact: Wilson’s name was inspired by a local realtor named Edison Salinas. Names such as Wilson and Edison are fairly common first names in Ecuador. Hitler and Stalin, while not nearly as common, are not unheard of.

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Creating Bad Girls of Mystery by Andrea Smith

Andrea Smith is the author of the Detective Ariel Lawrence mysteries, among other tales. Her story in the July/August 2016 issue, “Beauty Shop of Horror,” revolves around a heroine connected to that series. Here, the author talks about character development and inspiration.

From an amateur sleuth to a trained police detective, the heroines who drive my stories defy stereotypes of race, gender, and age to buck authority and fight for justice.

When I first began writing mysteries, I knew I wanted to showcase fierce, fiery, and fearless women who succeed against the odds. I call them my “Bad Girls,” and to create them I did three things:

1) Drew from the lives of real women I admire.

My strong mom and six aunts are models for some of my characters. In my short story “Beauty Shop of Horror,” featured in the Alfred Hitchcock’s Mystery Magazine July/August issue, Vera Ames is a 54-year-old, designer shoe wearing, beauty salon owner/cosmetics entrepreneur. Opinionated and wise, Vera is like a human truth serum. People tend to confess their inner most secrets to her. My mom had this gift, and one of my aunts was a hair stylist whose salon chair served as a psychiatrist’s couch.

2) Gave protagonists family/friends who hand them situations many of us can identify with.

Chicago Police Detective Ariel Lawrence has appeared in several stories. She can take down criminals and out maneuver police brass, but sometimes her skills are no match for her three interfering sisters.

3) Used short stories for a character test run.

Short stories allow me to build a protagonist’s persona and see if she’s engaging enough to carry a series. This has been especially helpful as I tackle a historical mystery. My protagonist Eve Dawson, a jazz entertainer, solves murders in between gigs with her husband in 1930s Chicago. Her story appears in the Speed City Sisters in Crime anthology Decades of Dirt.

This approach, I hope, has helped create characters who readers want to spend time with, who feel like real people—right down to their love for family and designer shoes.

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