Category Archives: Uncategorized

60 Is the New . . . (December 2016)

Editing a magazine is all about novelty—the next issue, the new stories, the new authors. One of the nice things about a significant anniversary is the occasion to pause and reflect. As we notch our sixtieth year, we thought it would be fun to invite some other voices that have long been associated with the magazine, contributors and a few staffers, to reflect on AHMM in this month’s special feature (The Case File).

But it’s the stories and authors that are the magazine’s raison d’être, and this celebratory issue is also a fine representation of AHMM’s recent decades. We are delighted to welcome Lawrence Block back to our pages with “Whatever It Takes”; Mr. Block first published a story in AHMM in 1963. And we are also delighted to welcome Bruce Arthurs, who makes his AHMM debut this month with “Beks and the Second Note.” And in between those extremes, we have new stories from other writers who have long associations with the magazine: John C. Boland (first AHMM story in 1976); Kristine Kathryn Rusch (1989); David Edgerley Gates (1991); Kathy Lynn Emerson (2001); and Stephen Ross (2010).

I wish I had the room to list the hundreds of authors who have graced AHMM’s pages with stories that have delighted and horrified and intrigued our readers for 60 years. We are grateful to them all.

Leave a comment

Filed under Uncategorized

Clues Examined—B. K. Stevens’ Post on SleuthSayers

AHMM regular B. K. Stevens drops an insightful post on SleuthSayers for mystery writers as well as readers.

Leave a comment

Filed under Uncategorized

Pay Attention! (November 2016)

Criminals and writers often employ misdirection, as a number of this month’s stories demonstrate. In S. L. Franklin’s “A Precautionary Tale,” private eye R. J. Carr’s client is a victim of such misdirection when his snow shovel is stolen and used in a murder. In Eric Rutter’s spy story “Proof” two veteran spies reconnect following careers spent in lies and misdirection. In Diana Deverell’s “Opening Day, 1954,” a rookie policewoman must evaluate the credibility of a bomb threat received at a busy theme park. And in Stephen P. Kelner, Jr.’s “Death at the Althing,” Thorbjörn is tasked with redirecting the grievances of two bickering elders at the ancient Icelandic proto-parliament known as the Althing.

Meanwhile, David Edgerley Gates’s fixer Mickey Counihan shows that an indirect approach is sometimes more effective in “Stone Soup.” An unhappy wife engages in the most familiar of marital misdirection in “Pisan Zapra” by Josh Pachter. And Randy Davison finds his life in need of any direction in Eve Fisher’s Laskin, South Dakota–set “Iron Chef.”

And now you need no further direction, reader, but to turn the page.

Leave a comment

Filed under Uncategorized

Trouble in Heels (October 2016)

History is being made this fall with the first major-party female candidate for president of the United States, and in keeping with this moment of girl power, several of the stories in our October issue highlight women exhibiting their strength of character in a variety of ways. Strong, resourceful women strut their stuff in Susan Oleksiw’s “Variable Winds,” Janice Law’s “Votes for Women,” and Gilbert M. Stack’s “Pandora’s Bluff.” Women challenged by circumstances, bad choices, or malevolent men feature in “Breakfast with Strange” by Martin Limón, “The Book of Judges” by Kevin Egan, “Close Scrutiny” by Elaine Menge, and “Stella by Starlight” by Con Lehane.

In addition, two master storytellers, Bill Pronzini and Barry N. Malzberg, collaborate this month on “The Crack of Doom,” while William Burton McCormick chronicles “The Last Walk of Filips Finks.”

Whether damsels in distress or femme fatales or smart cookies, women of mystery always make for reading pleasure!

Leave a comment

Filed under Uncategorized

Don’t Miss “Dirty Bop to Blighty” by Diana Deverell

The Norwegian American will be serializing Diana Deverell‘s “Dirty Bop to Blighty,” from the the September 2010 issue of AHMM. Check it out here. A new story by Diana Deverell will appear in our November 2016 issue.

Leave a comment

Filed under Uncategorized

Responsibility (September 2016)

As social creatures, we live enmeshed in a network of responsibilities to others, be they family members, friends, or colleagues. These are bonds that crime, as many of this month’s stories attest, can severely strain. The duties of friendship press against moral boundaries for two life-long buddies in Brian Cox’s “The Frozen Fiske.” An assignment to escort a WWII hero around Detroit presents an ethical dilemma for the tough-talking vice cops The Four Horsemen in Loren D. Estleman’s “Playing the Ace.” Another kind of ethical quandary faces a psychiatrist evaluating a murder suspect in Wendy Leeds’ “First, Dig Two Graves.” A young spy poses as a bookkeeper in a postwar Austrian TB sanitarium in Eve Fisher’s “Miss West’s First Case.” And two cops probe a deadly mugging in a gentrifying Glasgow in Russel D. McLean’s atmospheric “Tout.”

We also feature two bookish mysteries this month. A Louisa May Alcott aficionado is pulled into a deadly race to locate one of the author’s manuscripts in Marianne Wilski Strong’s “Louisa and the Silver Buckle.” And our Mystery Classic reacquaints readers with the gaslight era master thief Godahl, created by Frederick Irving Anderson and introduced here by Joseph Goodrich.

As you can see, we take seriously our responsibility to deliver an issue of great reads.

Leave a comment

Filed under Uncategorized

A Legacy of Crime (July/August 2016)

Over the past sixty years, it has regularly been our pleasure to welcome new voices, writers either new to our pages or making their publishing debut. This double issue continues that legacy. Congratulations, then, to two authors appearing in print for the first time: Jason Half with “The Widow Cleans House,” and Mark Thielman with his Black Orchid Novella Award–winning “A Meter of Murder.” And welcome to three authors new to AHMM: Alan Orloff, author of “The Last Loose End;” Andrea Smith, who introduces to our readers her intrepid beauty salon proprietor Vera Ames in “Beauty Shop of Horror;” and James Nolan, who brings us a tale set in Mexico in “Shortcut to Gringo Hill.”

As it happens, the notion of legacy plays an important role in several of this issue’s tales. Our cover story, Eve Fisher’s “Great Expectations,” examines a family’s handling of a small inheritance. Attorney David Crockett, in Evan Lewis’s “Mr. Crockett and the Indians,” carries with him a rather uncomfortable legacy—the crotchety voice of his ancestor Davy. Kevin Egan’s “The Heist,” set in the New York State Supreme Court building in Manhattan, involves the cultural legacy of a Hungarian émigré. And a legacy of Mob violence drives the latest installment of Janice Law’s series featuring Madame Selina and her young helper Nip.

Regular appearances by favorite writers and characters are another aspect of the AHMM legacy, and this issue features other strong installments in familiar series. John H. Dirckx, a recidivist for nearly forty years, teams Lieutenant Cyrus Auburn and Detective Sergeant Fritz Dollinger in “Can’t Undo.” R. T. Lawton, whose four different series display an impressive range of tone, setting, and eras, this time brings us “The Great Aul,” a new tale of the Armenian and his young Nogai helper. And Terence Faherty, who first appeared in our pages in 2007, offers “Margo and the Milk Trap,” his latest entry in a WWII–era series featuring radio producer Margo Banning.

Great crime fiction is a legacy our readers need not feud over.

Leave a comment

Filed under Uncategorized

It Takes a Village (June 2016)

The classic loner private eye notwithstanding, crime and its investigation occur within a social context. This month’s issue includes stories featuring team detective work in Janice Law’s “A Taste of Murder” and Sarah Weinman’s “Death of a Feminist.” Ties of friendship (allegedly) motivate characters in Brendan DuBois’s “A Battlefield Reunion” and Michael Bracken’s “Chase Your Dreams.” Familial obligations and gang ties are at odds in Martin Limón’s “The King of K-Pop.” “Poor Sherm” endures the pressures of family expectations in our Mystery Classic by Ruth Chessman (whose own daughter, Jane K. Cleland, introduces the tale). Finally, love, the greatest of all social engines, drives characters to behave badly in Erica Wright’s first story for AHMM, “Patsy Cline at Harry’s Last Chance Saloon.”

It’s a threatening world outside our editorial offices, but here at

Leave a comment

Filed under Uncategorized

Get a Clue by Robert Lopresti

Robert Lopresti’s character Leopold Longshanks solves a mystery in AHMM for the ninth time in the May issue. Here, the author talks about his relationship with an ever-present aspect of literature from fair-play puzzles to thrillers to whodunits: clues.

When people find out I write mysteries the most common question is: Where do you get your ideas?

Well, that’s never been hard for me.  They’re all around.  And I have no trouble with coming up with plots, characters, or dialog that some editors and readers like.  But here’s what stumps me:

Clues.

I have stories in my file cabinet with concepts I love, terrific conflict and action (or so I think).  But they will probably never be finished, because I don’t (ha ha) have a clue.

Not all stories need clues, of course.  People who don’t read mysteries often think they are all like the ones Agatha Christie used to write: fair play tales in which a crime is committed and a detective figures out whodunit using only the evidence available to the reader.  Those are the stories that need clues.

But if you pick up any issue of Alfred Hitchcock’s, or any other mystery magazine or anthology you will probably find that less than half the stories fall into that category these days.

Here’s another example: I just looked in Shanks On Crime, my collection of stories about Leopold Longshanks, a mystery writer who reluctantly plays amateur sleuth.  Of the thirteen stories (most of which appeared in Hitchcock’s) only eight could be described as fair-play mysteries—and that is interpreting the term very liberally.  I’m surprised the number is that high.

There are some writers who seem to look at the world through clue-colored spectacles.  Consider the late great Edward D. Hoch (who wrote almost a thousand short stories), or my friend John M. Floyd (a master of the quickie solve-it-yourself puzzle).  I imagine that when they look at a breakfast table, they imagine how scrambled eggs could point out a murderer, or a glass of orange juice might reveal a blackmail scheme.

I wish I could do that.  But I can’t.  So when a rare clue does pop into my head I jump to work building a story around it.

Which brings me to “Shanks Goes Rogue,” the fourteenth story about my hero, which I am delighted to report is in the new May 2016 issue of Hitchcock’s.  This story began when I was reminded of a fact I had heard a hundred times, but some reason on this occasion my brain said—that’s a clue!  So I handed it to Shanks and voila.  I had my 26th appearance in my favorite magazine.

While tinkering with this essay it occurred to me that you don’t actually need a fair-play story to use a clue.  For example, take my new comic crime novel Greenfellas.  It’s not a whodunit at all, but a sort of pilgrim’s progress about a top mobster who decides it’s his responsibility to save the environment.

No crime to solve there (hey, he’s committing most of the ones in the book) but there are traitors in his midst, and my hope is that he spots them before the reader does.  And that requires clues.

And clues are hard.  Or did I say that already?  I hope you enjoy the story.

2 Comments

Filed under How'd That Happen, Uncategorized

What Could Go Wrong? (May 2016)

Bad ideas often make for good stories. Advising your friend on her love life? Messing about with volatile chemicals? Sharing details of a wealthy client’s will? What could go wrong?

So many, many things, as the stories in our annual humor issue demonstrate. Before you issue a magical challenge to your longtime romantic rival, or abruptly cancel your Hawaiian vacation for a part in a troubled theater production, or seek to engage in collective bargaining when your profession is burglary, ask yourself, what could go wrong?

Or don’t, because the results will be that much more entertaining for the rest of us.

Leave a comment

Filed under Uncategorized